Primary
Field, Michael. Long Ago. Franklin Classics: New Jersey, 2018. [1889]
Field, Michael. Sight and Song. Forgotten Books: London, 2018. [1892]
Field, Michael. Underneath the Bough. BiblioLife: 2009. [1893]
Field, Michael. Works and Days: From the Journal of Michael Field. Ed. Sturge Moore. London: John Murray, 1933. [1868—1914]
Secondary
Donoghue, Emma. “Introduction.” In We are Michael Field. Absolute Press: Bath, 1998.
Ehnenn, Jill. Notes of ““Our brains struck fire each from each”: Disidentification, Difference, and Desire in the Collaborative Aesthetics of Michael Field.” Economies of Desire at the Victorian Fin de Siècle: Libidinal Lives. Ed. Jane Ford, Kim Edwards Keats and Patricia Pulham. Routledge: London, 2015.
Ferber, Michael. A Dictionary of Literary Symbols. Cambridge University Press: Cambridge, 2007.
Flint, Kate. “Unspeakable Desires: We Other Victorians. The Oxford Handbook of Victorian Literary Culture.” Oxford University Press: Oxford, 2016.
Gallagher, Rob and Ana Parejo Vadillo, Ana Parejo. “Animating Sight and Song: A Meditation on Identity, Fair Use, and Collaboration.” 19:Interdisciplinary Studies in the Long Nineteenth Century, No. 21 (2015): 1—19.
[Last accessed May 9, 2019]
Linton, Eliza Lynn. “The Wild Women As Social Insurgents.” In Nineteenth Century 30, No. 176 (October 1891): 596—605.
[Last accessed April 4, 2019]
London, Bette Lynn. ““Something Obscurely Repellent”: The Resistance to Double Writing.” Writing Double: Women’s Literary Partnerships. Cornell University Press: Cornell, 1999.
Stetz, Margaret Diane, and Wilson, Cheryl Ann. Michael Field and Their World. Rivendale Press: High Wycombe, 2007.
Thain, Marion. “Michael Field”: Poetry, Aestheticism and the Fin de Siècle. Cambridge University Press: Cambridge, 2007.
Thain, Marian, and Vadillo, Ana Parejo. Michael Field: The Poet. Broadview Press: Peterborough, 2009.
Vadillo, Ana Parejo. ““Sight and Song”: Transparent Translations and a Manifesto for the Observer.” Victorian Poetry 38, no. 1 (2000): 15—34.
[Last accessed February 2, 2019]
Vadillo, Ana Parejo. “‘The hot-house of decadent chronicle’: Michael Field, Nietzsche and the Dance of Modern Poetic Drama.” Women: A Cultural Review 26, No. 3, (2015): 1—30.
[Last accessed May 14, 2019]
Vadillo, Ana Parejo. “Walter Pater and Michael Field: The Correspondence, with Other Unpublished Manuscript Materials.” The Pater Newsletter, no. 65 (Spring 2014): 27—85.
Vicinus, Martha. “Faun Love: Michael Field and Bernard Berenson.” In Women’s History Review 18. No. 5 (November 2009): 753—64.
[Last accessed April 13, 2019]
Vicinus, Martha. ““Sister Souls”: Bernard Berenson and Michael Field (Katherine Bradley and Edith Cooper),” In Nineteenth-Century Literature 60, No. 3 (2005): 326—54.
[Last accessed May 9, 2019]